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9781617754166
English

1617754161
"Channer has written a fine set of poems that, like classical myth, start with the search for the lost father and end with the found son, the poet in the process replacing the lost father with a found self."--Russell Banks "This is such a brilliant 'toast, ' this swift and pained and skimming history of Jamaica sweetly written by a poet with a cop dad. "Providential" does justice to the diasporic reality of places being 'there but not there, ' including of course America, the poet's current home. Lush lists and light-footedness and keen word choices all restore a limb to our comprehension of colonial trauma and make this one of the most lucid and telling poetry books of this exact time."--Eileen Myles, author of "Snowflake" "Channer writes with a moving vulnerability and much lyric grace, revealing new facets to familiar themes--home, family, history, and the evolving journey of self. A universal, timeless meditation."--Chris Abani "This one is an audacious and brilliant take on "noir," written with pitch-perfect rhythm and a keen eye for supple, limber turns."--Lorna Goodison Channer achieves an intimate and lyric meditation on family, policing, loss, and violence, but the work is enlivened by humor, tenderness, and the rich possibilities that come from honest reflection. Combined with a capacity to offer physical landscapes with painterly sensitivity and care, Providential is a work of "heartical" insight and vulnerability., "Channer...skillfully examines the brutality that permeates Jamaica's history in this moving debut poetry collection....Channer's poems rise to present the reader with a panoramic view of a place 'built on old foundations of violence,' of 'geographies where genocide and massacre/hang like smoke from coal fires.'" -- Publishers Weekly "The debut poetry collection considers themes of family, Jamaican culture, Rasta, reggae, policing, loss, and violence, tackling the rare literary subject of the Jamaican policeman in light of Channer's relationship with his Jamaican policeman father." -- Publishers Weekly , Fall 2015 Announcements "Channer has written a fine set of poems that, like classical myth, start with the search for the lost father and end with the found son, the poet in the process replacing the lost father with a found self." -- Russell Banks , author of The Sweet Hereafter "The voices and irrepressible human dance of the clan pulsing at this book's center leave me breathless and I realize how close the voices are to my own, how much I crave this dance." -- Patricia Smith , author of Shoulda Been Jimi Savannah "This is such a brilliant 'toast,' this swift and pained and skimming history of Jamaica sweetly written by a poet with a cop dad. Providential does justice to the diasporic reality of places being 'there but not there,' including of course America, the poet's current home. Lush lists and light-footedness and keen word choices all restore a limb to our comprehension of colonial trauma and make this one of the most lucid and telling poetry books of this exact time." -- Eileen Myles , author of Snowflake "Channer writes with a moving vulnerability and much lyric grace, revealing new facets to familiar themes--home, family, history, and the evolving journey of self. A universal, timeless meditation." -- Chris Abani , author of The Secret History of Las Vegas "This one is an audacious and brilliant take on noir , written with pitch-perfect rhythm and a keen eye for supple, limber turns." -- Lorna Goodison , author of From Harvey River Channer's debut poetry collection achieves an intimate and lyric meditation on family, policing, loss, and violence, but the work is enlivened by humor, tenderness, and the rich possibilities that come from honest reflection. Combined with a capacity to offer physical landscapes with painterly sensitivity and care, a graceful mining of the nuances of Jamaican patwa and American English, and a judicious use of metaphor and similie, Providential is a work of "heartical" insight and vulnerability. Not since Claude McKay's Constab Ballads of 1912 has a writer attempted to tackle the unlikely literary figure of the Jamaican policeman. Now, over a century later, Channer draws on his own knowledge of Jamaican culture, on his complex relationship with his father (a Jamaican policeman), and frames these poems within the constantly humane principles of Rasta and reggae. The poems within Providential manage to turn the intricate relationships between a man and his father, a man and his mother, and man and his country, and a man and his children into something akin to grace., "Jamaican-born Channer draws on the rich cultural heritage of the Caribbean and his own unique experience for this energetic, linguistically inventive first collection of poetry....Channer's lyrics pop and reel in sheer musicality, reveling in the colorful, conflicting crowd, from passive Rastas to seemingly countless acts of police violence....A dextrous, ambitious collection that delivers enough acoustic acrobatics to keep readers transfixed 'till the starlings sing out.'"--"Booklist" "Channer...skillfully examines the brutality that permeates Jamaica's history in this moving debut poetry collection....Channer's poems rise to present the reader with a panoramic view of a place 'built on old foundations of violence, ' of 'geographies where genocide and massacre/hang like smoke from coal fires.'"--"Publishers Weekly" "The debut poetry collection considers themes of family, Jamaican culture, Rasta, reggae, policing, loss, and violence, tackling the rare literary subject of the Jamaican policeman in light of Channer's relationship with his Jamaican policeman father."--"Publishers Weekly," Fall 2015 Announcements "Channer has written a fine set of poems that, like classical myth, start with the search for the lost father and end with the found son, the poet in the process replacing the lost father with a found self."--Russell Banks, author of "The Sweet Hereafter" "The voices and irrepressible human dance of the clan pulsing at this book's center leave me breathless and I realize how close the voices are to my own, how much I crave this dance."--Patricia Smith, author of "Shoulda Been Jimi Savannah" "This is such a brilliant 'toast, ' this swift and pained and skimming history of Jamaica sweetly written by a poet with a cop dad. "Providential" does justice to the diasporic reality of places being 'there but not there, ' including of course America, the poet's current home. Lush lists and light-footedness and keen word choices all restore a limb to our comprehension of colonial trauma and make this one of the most lucid and telling poetry books of this exact time."--Eileen Myles, author of "Snowflake" "Channer writes with a moving vulnerability and much lyric grace, revealing new facets to familiar themes--home, family, history, and the evolving journey of self. A universal, timeless meditation."--Chris Abani, author of "The Secret History of Las Vegas" "This one is an audacious and brilliant take on "noir," written with pitch-perfect rhythm and a keen eye for supple, limber turns."--Lorna Goodison, author of "From Harvey River" Channer's debut poetry collection achieves an intimate and lyric meditation on family, policing, loss, and violence, but the work is enlivened by humor, tenderness, and the rich possibilities that come from honest reflection. Combined with a capacity to offer physical landscapes with painterly sensitivity and care, a graceful mining of the nuances of Jamaican patwa and American English, and a judicious use of metaphor and similie, "Providential" is a work of "heartical" insight and vulnerability. Not since Claude McKay's "Constab Ballads" of 1912 has a writer attempted to tackle the unlikely literary figure of the Jamaican policeman. Now, over a century later, Channer draws on his own knowledge of Jamaican culture, on his complex relationship with his father (a Jamaican policeman), and frames these poems within the constantly humane principles of Rasta and reggae. The poems within "Providential" manage to turn the intricate relationships between a man and his father, a man and his mother, and man and his country, and a man and his children into something akin to grace., "The Caribbean policeman is a character both foreign and familiar at the center of this intimate debut poetry collection. Combining Jamaican patois and American English, it tells the story of violence, loss, and recovery in the wake of colonialism." -- O, the Oprah Magazine "Jamaican-born Channer draws on the rich cultural heritage of the Caribbean and his own unique experience for this energetic, linguistically inventive first collection of poetry....Channer's lyrics pop and reel in sheer musicality....A dextrous, ambitious collection that delivers enough acoustic acrobatics to keep readers transfixed 'till the starlings sing out.'" -- Booklist "Channer...skillfully examines the brutality that permeates Jamaica's history in this moving debut poetry collection....Channer's poems rise to present the reader with a panoramic view of a place 'built on old foundations of violence,' of 'geographies where genocide and massacre/hang like smoke from coal fires.'" -- Publishers Weekly "[Channer's] technique and foresight bring the underlying story of the collection, and the history he expounds, into full daylight and the collection succeeds in revealing a life and history as an essay might, but with the beauty of lyric added to narrative in an exercise that is cohesive in its ability to maintain its trajectory. It is a notable accomplishment." -- New York Journal of Books "The debut poetry collection considers themes of family, Jamaican culture, Rasta, reggae, policing, loss, and violence, tackling the rare literary subject of the Jamaican policeman in light of Channer's relationship with his Jamaican policeman father." -- Publishers Weekly , Fall 2015 Announcements "[Channer's] strongest offering yet.... Providential perfectly clothes the written word with matching tone and atmosphere. Welcome to the hallowed halls of Fine Poetry!" -- Kaieteur News (Guyana) "Channer has written a fine set of poems that, like classical myth, start with the search for the lost father and end with the found son, the poet in the process replacing the lost father with a found self." -- Russell Banks , author of The Sweet Hereafter "The voices and irrepressible human dance of the clan pulsing at this book's center leave me breathless and I realize how close the voices are to my own, how much I crave this dance." -- Patricia Smith , author of Shoulda Been Jimi Savannah Channer's debut poetry collection achieves an intimate and lyric meditation on family, policing, loss, and violence, but the work is enlivened by humor, tenderness, and the rich possibilities that come from honest reflection. Combined with a capacity to offer physical landscapes with painterly sensitivity and care, a graceful mining of the nuances of Jamaican patwa and American English, and a judicious use of metaphor and similie, Providential is a work of "heartical" insight and vulnerability. Not since Claude McKay's Constab Ballads of 1912 has a writer attempted to tackle the unlikely literary figure of the Jamaican policeman. Now, over a century later, Channer draws on his own knowledge of Jamaican culture, on his complex relationship with his father (a Jamaican policeman), and frames these poems within the constantly humane principles of Rasta and reggae. The poems within Providential manage to turn the intricate relationships between a man and his father, a man and his mother, and man and his country, and a man and his children into something akin to grace., "The debut poetry collection considers themes of family, Jamaican culture, Rasta, reggae, policing, loss, and violence, tackling the rare literary subject of the Jamaican policeman in light of Channer's relationship with his Jamaican policeman father." -- Publishers Weekly , Fall 2015 Announcements "Channer has written a fine set of poems that, like classical myth, start with the search for the lost father and end with the found son, the poet in the process replacing the lost father with a found self." -- Russell Banks , author of The Sweet Hereafter "The voices and irrepressible human dance of the clan pulsing at this book's center leave me breathless and I realize how close the voices are to my own, how much I crave this dance." -- Patricia Smith , author of Shoulda Been Jimi Savannah "This is such a brilliant 'toast,' this swift and pained and skimming history of Jamaica sweetly written by a poet with a cop dad. Providential does justice to the diasporic reality of places being 'there but not there,' including of course America, the poet's current home. Lush lists and light-footedness and keen word choices all restore a limb to our comprehension of colonial trauma and make this one of the most lucid and telling poetry books of this exact time." -- Eileen Myles , author of Snowflake "Channer writes with a moving vulnerability and much lyric grace, revealing new facets to familiar themes--home, family, history, and the evolving journey of self. A universal, timeless meditation." -- Chris Abani , author of The Secret History of Las Vegas "This one is an audacious and brilliant take on noir , written with pitch-perfect rhythm and a keen eye for supple, limber turns." -- Lorna Goodison , author of From Harvey River Channer's debut poetry collection achieves an intimate and lyric meditation on family, policing, loss, and violence, but the work is enlivened by humor, tenderness, and the rich possibilities that come from honest reflection. Combined with a capacity to offer physical landscapes with painterly sensitivity and care, a graceful mining of the nuances of Jamaican patwa and American English, and a judicious use of metaphor and similie, Providential is a work of "heartical" insight and vulnerability. Not since Claude McKay's Constab Ballads of 1912 has a writer attempted to tackle the unlikely literary figure of the Jamaican policeman. Now, over a century later, Channer draws on his own knowledge of Jamaican culture, on his complex relationship with his father (a Jamaican policeman), and frames these poems within the constantly humane principles of Rasta and reggae. The poems within Providential manage to turn the intricate relationships between a man and his father, a man and his mother, and man and his country, and a man and his children into something akin to grace., Longlisted for the 2016 OCM Bocas Prize for Poetry "The Caribbean policeman is a character both foreign and familiar at the center of this intimate debut poetry collection. Combining Jamaican patois and American English, it tells the story of violence, loss, and recovery in the wake of colonialism." -- O, the Oprah Magazine One of LargeUp 's Ten Great Books by Caribbean Authors in 2015 "Jamaican-born Channer draws on the rich cultural heritage of the Caribbean and his own unique experience for this energetic, linguistically inventive first collection of poetry....Channer's lyrics pop and reel in sheer musicality....A dextrous, ambitious collection that delivers enough acoustic acrobatics to keep readers transfixed 'till the starlings sing out.'" -- Booklist "Channer...skillfully examines the brutality that permeates Jamaica's history in this moving debut poetry collection....Channer's poems rise to present the reader with a panoramic view of a place 'built on old foundations of violence,' of 'geographies where genocide and massacre/hang like smoke from coal fires.'" -- Publishers Weekly "[Channer's] technique and foresight bring the underlying story of the collection, and the history he expounds, into full daylight and the collection succeeds in revealing a life and history as an essay might, but with the beauty of lyric added to narrative in an exercise that is cohesive in its ability to maintain its trajectory. It is a notable accomplishment." -- New York Journal of Books "Jamaica's Colin Channer has been mixing patois in his romantic tales since his 1998 debut novel, Waiting In Vain . In 2015, he blessed us with Providential (Akashic), a poetry collection that touches on the full range of Jamaican languages and dreams." -- LargeUp "[Channer's] strongest offering yet.... Providential perfectly clothes the written word with matching tone and atmosphere. Welcome to the hallowed halls of Fine Poetry!" -- Kaieteur News (Guyana) "Channer has written a fine set of poems that, like classical myth, start with the search for the lost father and end with the found son, the poet in the process replacing the lost father with a found self." -- Russell Banks , author of The Sweet Hereafter "The voices and irrepressible human dance of the clan pulsing at this book's center leave me breathless and I realize how close the voices are to my own, how much I crave this dance." -- Patricia Smith , author of Shoulda Been Jimi Savannah Channer's debut poetry collection achieves an intimate and lyric meditation on family, policing, loss, and violence, but the work is enlivened by humor, tenderness, and the rich possibilities that come from honest reflection. Combined with a capacity to offer physical landscapes with painterly sensitivity and care, a graceful mining of the nuances of Jamaican patwa and American English, and a judicious use of metaphor and similie, Providential is a work of "heartical" insight and vulnerability. Not since Claude McKay's Constab Ballads of 1912 has a writer attempted to tackle the unlikely literary figure of the Jamaican policeman. Now, over a century later, Channer draws on his own knowledge of Jamaican culture, on his complex relationship with his father (a Jamaican policeman), and frames these poems within the constantly humane principles of Rasta and reggae. The poems within Providential manage to turn the intricate relationships between a man and his father, a man and his mother, and man and his country, and a man and his children into something akin to grace.

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With 400 houses, one house per page, one image per house, Jutaku: Japanese Houses is a fast-paced, "quick hit" shock to the system that shines a Harajuku-bright neon light on the sheer volume, variety and novelty of contemporary Japanese residential architecture.The illustrations, by many by the great names in botanical art, are notable for their historical value in charting the development of garden flowers as well as their indisputable beauty and artistic merit.Yet, as the authors also reveal, these artists were not entirely immune to the siren call of the vanishing West, and their portrayal of peaceful yet "exotic" Native Americans was an expansion rather than a dismissal of earlier tropes.But for those who work and write in the plant world, there are thousands of terms available for crafting the perfect characterization.Costumers today demonstrate the Row's spectacular diversity: the Princes William and Harry, Mick Jagger, David Beckham, Brad Pitt, Tom Cruise and Pete Doherty, to name a few.The book, written by James Sherwood is a portrait of modern Savile Row, and contains detailed information on London's premier tailors, including images of Savile Row past and present.Privately printed in seven volumes between 1906 and 1913, it covers the varieties, distribution, history and cultivation of tree species in the British Isles.This durable folding guide, printed on laminate material, is an essential resource for any level of nature explorer.In this collection of twenty-three papers, fourteen in English, nine in French, established and new scholars of French art history examine the national and international artistic, political and cultural dimensions of the most important regular exhibition of contemporary art in the nineteenth-century world., Following on from « Ce Salon à quoi tout se ramène » : Le Salon de peinture et de sculpture, 17911890 , published in 2010 as an earlier volume in this series, this volume contains a selection of the papers given at the first major international conference to be held on the post-1789 Paris Fine Art Salon.In this revelatory study of Martin s early artistic production, Christina Bryan Rosenberger demonstrates that the rapidly evolving creative processes and pictorial solutions Martin developed between 1940 and 1967 define all her subsequent art.Durand-Ruel first encountered key Impressionist painters in the early 1870s and guided many of their careers for decades.Visions of buffalo herds, railroad trestles, enormous trees, and Winchester rifles engaged not only artists, scientists, and inventors, but also poets, educators, farmers, chaplains, and members of Congress.These philosophical ideas inform close readings of works from the 1990s and 2000s by two generations of European-based dance artists: that of Jérôme Bel, Jonathan Burrows, La Ribot, and Xavier Le Roy who began showing work in the 1990s; and that of artists who emerged in the 2000s including Fabián Barba, Faustin Linyekula, Ivana Müller, and Nikolina Pristas.Coeditor, Routledge's Relational Perspectives Book Series.The book concludes with a discussion of theOrgelb chlein's reception from the eighteenth century to the present.